“On the new edge of springtime when I stand on the front porch shading my eyes from the weak morning light, sniffing out a tinge of green on the hill and the scent of yawning earthworms, oh, boy, then! I roll like a bear out of hibernation. The maple buds glow pink, the forsynthia breaks into its bright yellow aria. These are the days when we can’t keep ourselves indoors around here, any more than we believe what our eyes keep telling us about the surrounding land, i.e. that it is still a giant mud puddle, now lacking its protective covering of ice. So it comes to pass that one pair of boots after another run outdoors and come back mud-caked – more shoes than we even knew we had in the house, proliferating like wild portabellos in a composty heap by the front door. So what? Noah’s kids would have felt like this when the flood almost dried up: muddy boots be hanged. Come the end of the dark days, I am more than joyful, I am nuts.” -Barbara Kinsolver, from Animal Vegetable, Miracle
Spring officially arrived this week and I feel acutely its call to be outside. Yesterday, it was a challenge to stay indoors and finish my postcard mailing for the Modern Book exhibition, opening April 4 in Palo Alto. Afterwards, I gave myself two hours in the garden, excavating the strawberry and herb bed, discovering more surprise survivors of winter’s frost and dormancy – oregano and rosemary have tripled in size, the artichokes are arriving, and even the celery is ready for eating. So much bounty in the earth - it fills me with great excitement and creative energy.
Friday, March 21, 2008
Thursday, March 13, 2008
On the Road
My husband and I are heading south today to Carmel, CA. My exhibition of Mapping the Body and Milagros at the Center for Photographic Art opens there tomorrow evening, Friday, March 14 with a gallery talk at 5pm followed by a reception from 6-8pm.
On the way down, we will stop in Palo Alto at Modern Book Gallery to drop off over 30 pieces for my exhibit opening there on April 4. This show includes Evocations, some Bottle Dreams, and also work from Sanctuary including new prints like this one here of Sanctuary #5 which I just picked up from the framer yesterday.
It is rich, full time for exhibiting for me right now. It is exciting to think that work from five of my major series will be up and on display all at once. If you are in the area, I hope you will get a chance to see these exhibits. If not, you can always see the work online at www.marydanielhobson.com.
On the way down, we will stop in Palo Alto at Modern Book Gallery to drop off over 30 pieces for my exhibit opening there on April 4. This show includes Evocations, some Bottle Dreams, and also work from Sanctuary including new prints like this one here of Sanctuary #5 which I just picked up from the framer yesterday.
It is rich, full time for exhibiting for me right now. It is exciting to think that work from five of my major series will be up and on display all at once. If you are in the area, I hope you will get a chance to see these exhibits. If not, you can always see the work online at www.marydanielhobson.com.
Labels:
art on exhibit,
business of art,
Evocations,
Sanctuary
Friday, March 7, 2008
Benign Neglect
For the past several months, I have let my vegetable garden go wild. The result has been a jungle of weeds and plants sending up tall shoots, going to seed. The other day, I traversed wet grass to the far corner of our yard to pay the vegetable garden a visit and was shocked to discover that even in the midst of this growing chaos, there was still bounty to be collected – a bouquet of purple broccoli, a few stray, slow-growing beets, and even a head of lettuce that somehow miraculously avoided the frost. It was heartening to see that things find a way to keep growing despite neglect or absence. If this can happen in the garden, I tell myself, it can also happen in the studio. And that makes my creative heart more at ease. Life these days has pulled me in many directions away from the studio – both the physical space of making art, and even the mental space of dreaming new work. I like to think that when I do return to the studio, some creative seeds planted in the past will have germinated and perhaps even grown into fully formed ideas – surprising and delighting me with their beauty and possibility.
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