I am frequently asked "How did you make that?" - especially when it comes to my series, Sanctuary. Many speculate that I did the whole process in Photoshop. But no, my PS skills are not nearly sophisticated enough for that, and frankly, I love the tactility of composing art with my hands. So I start by photographing a spot in nature that is a "sanctuary" or refuge for me – most often a place within five miles of my home. Then I print the photo and bottle it in mineral oil layering it with old maps and handwritten texts - essentially building a sculpture. It is this piece that I then place on black velvet and re-photograph with my digital SLR, a Canon 30D (as pictured here). Then after some minor adjustments in PS, I have them printed with the help of Kris at Electric Works in San Francisco. It is a bit labor intensive, but a multi-layered process seems to come with the territory of creating multi-layered art.
Friday, July 13, 2007
Creating Sanctuary
I am frequently asked "How did you make that?" - especially when it comes to my series, Sanctuary. Many speculate that I did the whole process in Photoshop. But no, my PS skills are not nearly sophisticated enough for that, and frankly, I love the tactility of composing art with my hands. So I start by photographing a spot in nature that is a "sanctuary" or refuge for me – most often a place within five miles of my home. Then I print the photo and bottle it in mineral oil layering it with old maps and handwritten texts - essentially building a sculpture. It is this piece that I then place on black velvet and re-photograph with my digital SLR, a Canon 30D (as pictured here). Then after some minor adjustments in PS, I have them printed with the help of Kris at Electric Works in San Francisco. It is a bit labor intensive, but a multi-layered process seems to come with the territory of creating multi-layered art.
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